By BATE BESONG
ENOH TANJONG has brought new insights into campus relationships while challenging the unspoken temptation that the tribal gaze was a distinctly University of Buea phenomenon.
His national and trans-tribal outlook and commitment has no parallel in the Cameroon University system.
It is scholars like Professor Tanjong who have de-mythologized the atavistic, clannish gorgon, on campus.
Introducing "BB"
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April 2012
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Recent Posts
- The Open Quarrel I Never Had With BB
- Fallen Man of Letters (A Poem for Bate Besong)
- A Candle for Bate Besong - Five Years Ago Today
- Homage to a Literary Colossus (Remembering Bate Besong Five Years After)
- Bate Besong or the Therapeutics of Laughter
- New Publication: To the Budding Creative Writer: A Handbook
- US Ambassador hosts Café Littéraire to Discusses Writer’s “Quest for Freedom and Social Justice”
- Bate Besong: The Silent Volcano
- Bate Besong: The Final Interview
- Obasinjom Warrior
BB Recommends
Patrice Nganang: Dog Days: An Animal Chronicle (Caraf Books) (Paperback)
Gilbert Doho : People Theater and Grassroots Empowerment in Cameroon (Paperback)
Frances Harding : The African Performance Reader
(Including "The language of Anglophone Cameroon drama" by Asheri Kilo)Martin Banham (Editor) : A History of Theatre in Africa
(including "A note on recent Anglophone Cameroonian theatre" by Asheri Kilo)- Bate Besong: Change Waka & his man Sawa Boy
- Bate Besong: The banquet: A historical drama
- Bate Besong: Requiem for the last kaiser: (a drama of conscientisation and revolution)
- Bate Besong: Polyphemus detainee & other skulls
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